Titlebook: Cuban Women Writers; Imagining a Matria Madeline Cámara Betancourt Book 2008 Palgrave Macmillan, a division of Nature America Inc. 2008 Bar

背景

PANG

增長(zhǎng)

,Playing the Fool: Blake’s Sense of Humour, lives and writes in total social and artistic marginalization. She doesn’t care: she knows that she has a message to send. She embodies the dissident writer.

狼群

,Playing the Fool: Blake’s Sense of Humour, is the playful one. She enjoys transgression without punishment. She gets her pleasure from teasing the reader as well as from subverting canonical forms with her irreverent humor.

Ejaculate

,The Feminist Discourse of Ofelia Rodríguez Acosta: , or ,?, writes to create a real place for her ideals. She is political in the deepest sense of the word.

Affection

撕裂皮肉

,Cassandra’s Calling: The Poetics of Convocation in the Works of María Elena Cruz Varela, lives and writes in total social and artistic marginalization. She doesn’t care: she knows that she has a message to send. She embodies the dissident writer.

我就不公正

,From the Baroque to Postmodernism: Parody of the Picaresque in ,, by Zoé Valdés, is the playful one. She enjoys transgression without punishment. She gets her pleasure from teasing the reader as well as from subverting canonical forms with her irreverent humor.

Morphine

A Polyphonic Introduction,s behind the writing of this book—its methodological aspirations, its ideological limits, the emotional position from which I carried out my readings and constructed the interpretive niche that I used to share them.

溺愛

In/Conclusion, then, to allow me to express my feeling of closeness (.) by granting me the stylistic license to transgress academic practice. If my readers have read through this entire book, they will have understood (and, I hope, accepted) the reason for the shifting tones in my writing; the reason why I have f