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Titlebook: Cuban Fusion; The Transnational Cu Eva Silot Bravo Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive license to Sp

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發(fā)表于 2025-3-21 16:32:20 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Cuban Fusion
副標(biāo)題The Transnational Cu
編輯Eva Silot Bravo
視頻videohttp://file.papertrans.cn/241/240700/240700.mp4
概述Studies the transnational Cuban alternative music scene.Documents important developments in the Cuban and international jazz and fusion scenes in the last 20 years.Identifies the impacts the fall of t
圖書封面Titlebook: Cuban Fusion; The Transnational Cu Eva Silot Bravo Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive license to Sp
描述Surveying the impact of Cuba‘s economic crisis after the demise of the eastern socialist block, this book documents a relatively unexplored transnational network of collaborations among Cuban musicians that migrated to many different countries from the 1990s forward. The book’s main argument is that in light of the 1990s crisis in Cuba, new transnational and alternative narratives emerged, resulting in creative “in-between” spaces that reflect a post- socialist aesthetic condition. The manuscript also documents important developments in the Cuban jazz and fusion scenes outside the island in the last 20+ years..
出版日期Book 2024
關(guān)鍵詞Cuba; Jazz; 1990s; Alternative music; Latin American music; Caribbean music
版次1
doihttps://doi.org/10.1007/978-3-031-53692-2
isbn_softcover978-3-031-53694-6
isbn_ebook978-3-031-53692-2
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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Borderlands of Empire, Borderlands of Raceture in a changing global context. Inspired by postcolonial scholars, the manuscript aims to contribute to Cuban and Ethnomusicology Studies, providing a critical lens on transnational Cuban cultural production since the twenty-first century.
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Towards a Post-national Cuban Imaginary: Theoretical and Historical Context,ban music since the nineteenth century, which contextualizes the subsequent analysis of alternative and transnational explosion of narratives of Cubanness in music at the turn of the twenty-first century provided in Chap. ..
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