Titlebook: Cuba in the Special Period; Culture and Ideology Ariana Hernandez-Reguant (cultural anthropologist Book 2009 Ariana Hernandez-Reguant 2009

calorie

馬賽克

Writing the Special Period: An Introductioncentury, or the 1960s, is not only a historical convention, or an analytical construct, but also a defining category of experience. For most people, the invocation of these chronological referents is metonymic of a broad range of events, aesthetics, experiences, emotions, acts, and attitudes. Alain

國家明智

abysmal

STENT

Spiritual Capital: Foreign Patronage and the Trafficking of ,research focused on the only ritual house in the city that performed sacred Iyesá music, a type of music preserved by the Cuban descendents of the West African íjésá people. For over 150 years, the family of this house has honored their patron deities annually with sacred songs and rhythms played on

托運(yùn)

Multicubanidad orders from a female officer. At one point, she blows her whistle and shouts, . (“identity”). “What is .” The dancers stand firm yet look confused. “.” asks one. “.” asks another. “What is that thing…identity?” wonders a third. The officer slowly reiterates, “What is identity?” There is a long paus