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Titlebook: Crossroads in Literature and Culture; Jacek Fabiszak,Ewa Urbaniak-Rybicka,Bartosz Wolski Book 2013 Springer-Verlag Berlin Heidelberg 2013

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發(fā)表于 2025-3-28 17:05:10 | 只看該作者
42#
發(fā)表于 2025-3-28 18:53:57 | 只看該作者
Crossing the “Gender Frontier”: Cross-dressing and Male Impersonation in Sarah Waters’ , (1998)Sarah Waters presents the story of a protagonist who managed to cross the gender frontier twice, both as a male impersonator and as a cross-dresser. The focus of this paper is therefore on the means and processes of the heroine’s transgression of socially accepted gender roles in 19th century London
43#
發(fā)表于 2025-3-29 00:53:30 | 只看該作者
44#
發(fā)表于 2025-3-29 05:26:10 | 只看該作者
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發(fā)表于 2025-3-29 10:41:58 | 只看該作者
46#
發(fā)表于 2025-3-29 12:16:54 | 只看該作者
Cutting into a New World: Reading , Through Slavoj ?i?ekeft end of the political (as much as philosophical) spectrum, the playwright would not shun the reputation of a critic of the so-called postmodern ideology. The paper aims to analyse Ravenhill’s . as an attempt on the part of the playwright to engage with cultural theory and psychoanalysis. With its
47#
發(fā)表于 2025-3-29 16:07:41 | 只看該作者
48#
發(fā)表于 2025-3-29 22:19:17 | 只看該作者
A Post-Battle Landscape: Doris Lessing’s , and , herself and gain on a new identity. Similarly, although in a different manner, this desire to find a space beyond the existing social limits is repeated in . (2007) as a dream of an all-female world before the arrival of sexual difference. Thus repetition can be seen as the regulating principle wor
49#
發(fā)表于 2025-3-30 03:22:31 | 只看該作者
Near the Riverbank: Women, Danger and Place in Dickensin England, focusing on Nancy from . and Martha’s, the heroine’s from ., relationship with and attitudes towards this physical and figurative geography and how it shapes the crucial moments in their lives. Exploring the relationship of these two characters to the many boundaries they encountered, cr
50#
發(fā)表于 2025-3-30 06:13:01 | 只看該作者
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