Titlebook: Cross-Cultural Connections in Crime Fictions; Vivien Miller,Helen Oakley Book 2012 Palgrave Macmillan, a division of Macmillan Publishers

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不利

,“You’re not so special, Mr. Ford”: The Quest for Criminal Celebrity,nation they crave. Kooistra, analysing the ways in which criminals become cultural heroes, poses the question of why only some men and not others are elevated to heroic status, and argues that we need to try to account for why “particular kinds of criminals become heroes, while most others do not” (

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聚集

Dissecting the Darkness of ,of a patriarchal sense of law and order. However, it may also be argued that the series’ attempts to grapple with the issues of race and gender, particularly in regard to its depiction of the Latino/a community, reveal the ways in which contemporary Miami is riven by political power struggles which

Interstellar

laxative

,“Betty Short and I Go Back”: James Ellroy and the Metanarrative of the Black Dahlia Case,ing the murder of Elizabeth Short. However, Ellroy’s extraneous work on the Dahlia case, his publicity tours, his involvement with true crime authors and the cinematic adaptations of his work, are part, as I will argue, of the metanarrative of. that once conceived by Ellroy could not be controlled.

laxative

歪曲道理

nation they crave. Kooistra, analysing the ways in which criminals become cultural heroes, poses the question of why only some men and not others are elevated to heroic status, and argues that we need to try to account for why “particular kinds of criminals become heroes, while most others do not” (

amplitude

g stories about the Purple Gang and other Detroit mobsters that he claims to recall from his youth in the 1920s and early 1930s. When their region becomes the target for a series of daring daylight robberies, some villagers suspect Buster is the culprit, and Buster in turn suspects the doctor. And t

干涉