Titlebook: Critiquing Violent Crime in the Media; Maria Mellins,Sarah Moore Textbook 2021 The Editor(s) (if applicable) and The Author(s), under exc

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Feeding the Fascination: Crime-Related Tourism and the True Crime Museumour a defunct jail cell, we are—in effect—consuming true crime narratives. Indeed, stories about ‘true’ crime continue to fascinate, titillate, and captivate tourists on a global scale. However, there is an inherent distortion involved within these spaces of non-fictional narrativity. Much like othe

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Exploring the Presence of the Digital Detective within the True-Crime Genre and its Online Spacess and documentaries as case studies, contributions by amateur sleuths have been shown to solve, re-open or question line of enquiries to unsolved crimes. Access to online true crime spaces enables these digital detectives to create an online community to support their investigation. Their journeys a

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Live Streaming of Murder: Regulatory Responses and Challengesponsibilities of online intermediaries including social media providers. Australia has enacted legislation creating criminal offences for failure to notify and remove ‘abhorrent violent material’, defined as self-produced audio/video of specified criminal acts including murder. This includes recordi

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Conclusions: Exercises in Critiquing Violent Crime in the Medias; crime transportation, tourism and digital harms; nostalgic aesthetics and gothic criminals and the media’s role in education, awareness raising and victim-survivor activism. As well as reframing authors’ work around these central themes and highlighting where discussions align, this chapter also

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