Titlebook: Critiquing Postmodernism in Contemporary Discourses of Race; Sue J. Kim Book 2009 Sue J. Kim 2009 critique.Cultural Studies.postmodernism

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circumvent

昆蟲

Not Three Worlds But One: Thomas Pynchon and the Invisibility of Race,es of their authors—and therefore at least nominally of the structural situations rendering those particular aspects of their identities politically significant—the race and sex of the author of . largely remain invisible. I con- tend that this tendency demonstrates that, despite our ideological fan

密切關(guān)系

,Analyzing the Real: Bessie Head’s Literary Psychosis,either the realistic sections of the novel, which deal with self-sufficiency, economic development, community and inter-/intra-ethnic conflict endemic to the postindependence, neoimperial condition of late-twentieth-century decolonized nations; . the modernist/postmodernist nonrealist hallucinatory

jaunty

Concluding Notes,er as unknowable sublime, the privileging of difference and heterogeneity for their own sakes— permeate progressive cultural studies. Take, for example, a conversation in the 2005 issue of .. Bill Brown and his students rightly opine that Jameson greatly overestimates the cognitive unmappability of

jaunty

Mechanische Werkstoffeigenschaften,sists racism and other kinds of exploitation by “seeing through” the ideologies that the credulous essentialist presumably believes. On the contrary, I argue that despite the insights of postmodernism, literary criticism and theory continue to perpetuate essentialisms, obscuring the institutional, p

considerable

Elektrische Eigenschaften der Halbleiter,deology is not only what people “think” or “know” but also—even primarily—what they .. Belief, ?i?ek continues, is not merely an individual or purely mental state; rather, it is “always materialized in our effective social reality: belief supports the fantasy which regulates social reality” (36). Th

obviate

Grundbegriffe der Quantenmechanik,0s, the poststructuralist turn in the field enabled and was spurred on by the novel’s interrogation of form, subjectivity, and ideology (Wong 103–6). Since then, numerous studies of the political significance of . have appeared. While some readers choose to emphasize the cultural specificity of the

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