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Titlebook: Critique as Critical History; Bregham Dalgliesh Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Foucault.Kant.Nietzsche.Hei

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21#
發(fā)表于 2025-3-25 06:40:54 | 只看該作者
Critical History and Ethics,s in code-oriented moralities it is produced via a mediated hermeneutics of the self. In ., ethico-political practices of the self demand an agonistic relation to oneself, whereas in . ethico-social practices of the self require a reciprocal ethos. Together, they offer a model for maturity in the face of games of truth in the present.
22#
發(fā)表于 2025-3-25 07:33:52 | 只看該作者
23#
發(fā)表于 2025-3-25 14:15:16 | 只看該作者
J. Bonelli,H. Waginger,H. Rameis their singular path to enlightenment that demarcates truth from power, Foucault becomes more of a foe than a friend. The chapter then outlines the history of critique in France to explain the misinterpretations of Foucault’s critics and why critical history provides an alternative mode of critique.
24#
發(fā)表于 2025-3-25 19:19:16 | 只看該作者
25#
發(fā)表于 2025-3-25 23:18:00 | 只看該作者
J. Bonelli,H. Waginger,H. Rameised view of freedom as the antithesis of power. It is argued that a conceptual compromise of freedom as textual autonomy ultimately prevails, both in mainstream Anglo-American political theory and the corpus of thought that criticises it, viz., identity politics.
26#
發(fā)表于 2025-3-26 01:25:05 | 只看該作者
27#
發(fā)表于 2025-3-26 07:25:20 | 只看該作者
28#
發(fā)表于 2025-3-26 11:06:00 | 只看該作者
29#
發(fā)表于 2025-3-26 13:41:35 | 只看該作者
,Bildung und Aufl?sung der Trombe, is characterised by a Kantian ethos and a Nietzschean becoming. It enables us to reinterpret enlightenment via a critique that targets thought in its historicity—specifically, regimes of truth and knowledge, power and ethics that comprise them—out of a concern for freedom as an agonistic practice in respect of the limits that confront us.
30#
發(fā)表于 2025-3-26 17:16:25 | 只看該作者
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