Titlebook: Criminal Femmes Fatales in American Hardboiled Crime Fiction; Maysaa Husam Jaber Book 2016 The Editor(s) (if applicable) and The Author(s)

Ventilator

Crime, Sex, and Paranoia in Post-War Hardboiled Paperbacksperback books revolutionized the genre of crime fiction and recreated a new space to disseminate crime stories that were the product of the post-war US scene. After the inception of the Pocket Book, many companies joined the flourishing paperback publishing industry.. Companies such as Avon, Popular

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The Duality of David Goodis’s Criminal Femmes Fatalesand dangerous women. Goodis’s world is one in which his characters are doomed to fail, as they struggle with fear, paranoia, and hopelessness. Goodis shows another side of the mean streets, one that is full of “paranoid reveries linked to some kind of identity crisis” (Haut 1995: 21). Although we ca

不近人情

Mickey Spillane’s Criminal Femmes Fatales and the Cold War Vendettaa new level. Unlike Goodis’s work, which presents paranoia of an unnamed source, and where characters are destined to fail, Spillane’s fiction crystallizes the failures of the system, the threats of conspiracies, and the doubts about any possibility of peaceful and fair living. Spillane’s work appea

Intractable

Conclusion Hell for the male character. Cain’s description of his female characters is often read as characteristic of the language that hardboiled crime texts use to sexualize the woman’s body as an “object” of the male gaze. Also, that the male character “had her” in the quotation is an example of how a num

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jeopardize