Titlebook: Creativity — A New Vocabulary; Vlad Petre Gl?veanu,Lene Tanggaard,Charlotte Wegen Book 2023Latest edition The Editor(s) (if applicable) an

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細(xì)微的差異

placebo-effect

H. Wintereative it needs to be different from what existed before. Novelty and originality are found in most definitions of creativity (e.g. Runco & Jaeger, 2012), alongside effectiveness; so, in this sense, difference is placed at the core of our thinking about this phenomenon. However, all this suggests is

laparoscopy

H. Winteres’ (1961) seminal analytical model: person, process, press, and product. While digitalization has enabled vast, new opportunities for creative expression, productivity, collaboration, and global sharing, it has also prompted several challenges for both researchers and practitioners of creativity. M

cavity

鋼筆尖

H. Winterhow we think about this phenomenon and act in relation to it is obvious (for more reflections on this issue, see the introductory chapter). But there is something more we can learn from language if we look beyond the ‘language of creativity’ and into the phenomenon of language itself (see also the c

擁護(hù)

Fallibility

H. Wintereriences are put into or written on these surfaces as memories and then taken out when remembered in roughly the same form as they were put in. This conception dates back to Plato, who first described memory as a wax tablet in the mind, on which experiences were inscribed. In Plato’s time, literacy

immunity

4) shared her experience with the reader on how a writing refuge almost turned into a prison. Having spent two days at the refuge, piles of paper with interview transcripts and field notes were a total mess. The themes in the writing she had constructed beforehand in her initial analysis seemed irre

刺耳