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Titlebook: Creativity in the Recording Studio; Alternative Takes Paul Thompson Book 2019 The Editor(s) (if applicable) and The Author(s), under exclus

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樓主: Adams
41#
發(fā)表于 2025-3-28 14:59:44 | 只看該作者
Creativity convergence of multiple factors within a dynamic system of interactions (Csikszentmihalyi in: Sternberg (Ed) ., Cambridge University Press, New York, 1988; ., HarperCollins, New York, 1997; in: Sternberg (Ed) ., Cambridge University Press, Cambridge, 1999; 2004). This chapter introduces research in
42#
發(fā)表于 2025-3-28 20:19:03 | 只看該作者
43#
發(fā)表于 2025-3-29 01:26:56 | 只看該作者
The Domain of Commercial Record Productionas a separate entity; it is intricately connected with the other parts of the creative system. For the purposes of analysis, however, the domain of commercial record production has been illustrated as a single element and grouped into three interconnected areas: musical, technical and sociocultural.
44#
發(fā)表于 2025-3-29 04:29:20 | 只看該作者
45#
發(fā)表于 2025-3-29 10:56:36 | 只看該作者
The Creative System of Songwriting musical, cultural and economic conventions have formed around the song and these conventions have established structures and constraints that the songwriter must negotiate in order to write a new song. In interviews, songwriters often describe their creative process as unfathomable, magical or spir
46#
發(fā)表于 2025-3-29 14:30:00 | 只看該作者
47#
發(fā)表于 2025-3-29 15:52:07 | 只看該作者
The Creative System of Engineeringstatus. These views are problematically linked to inspirationalist and romantic conceptions of creativity and, although they have now been dismissed as myths (Boden .), these romantic distinctions between art and craft and consequently what is considered to be creative continue to pervade the record
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