Titlebook: Creativity and Cultural Production; Issues for Media Pra Phillip McIntyre Book 2012 Palgrave Macmillan, a division of Macmillan Publishers

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The Digital Revolution: Copyright and Creativitytum. This dictum states that the way people perceive a situation predisposes them to behave in ways that are in line with those perceptions even if the perception is problematic. Furthermore, once a belief takes hold, such as a Romantic or inspirational view of creativity, ‘gradually a whole life-po

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Refocusing Methods for Creative Worklored various issues that have been raised within specific fields of media practice. I’d now like to see what effect the reconceptualisation of creativity that has been presented here might have on practical methods for undertaking creative practice. To begin that process I’d like to restate the ide

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t individuals can’t help but act in the ways they’ve been predetermined to do. Nor does it accept that individuals are absolutely free to make their own creative decisions regardless of the structures, discourses and so on that surround them. This resolution of the actions of both agency and structu

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Struktureller und inhaltlicher Ich-Bezug,tography has been historically looked down upon by the established art world in the West. In 1895 Baudelaire declared photography to be a ‘hand maid to the arts and science, but their very humble handmaid’ (in Wells 2004, p. 13). As recently as 1982 this argument was still causing consternation with

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