Titlebook: Creative Measures of the Anthropocene; Art, Mobilities, and Kaya Barry,Jondi Keane Book 2019 The Editor(s) (if applicable) and The Author(s

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STYX

Dissonance

吸氣

ve arts practice and geographical inquiries. The chapter concludes by advocating that shifting modes of attention can be facilitated through attentions to sensations, scales, and spatiality in both art practice and in the practices of everyday life.

展覽

te the way one system of measure (the search for invariance and causality signalled by “effect”) is made to pass through and enter into relation with another measure (the production of experiences punctuated by “affects”). This term becomes a way to attend to the complexity and interconnection of closed systems of meaning and open systems of life.

展覽

TAIN

Affective Measures,te the way one system of measure (the search for invariance and causality signalled by “effect”) is made to pass through and enter into relation with another measure (the production of experiences punctuated by “affects”). This term becomes a way to attend to the complexity and interconnection of closed systems of meaning and open systems of life.

祖先

of “creative measures” is introduced as a way to recognise and counteract the precariousness of living in a world or multiple, unstable, and shifting measures are in need of a process by which to move through and adapt to this unstable ground.

urethritis

es. Examples are drawn from the authors’ creative artworks, experiments, and participatory activities that provide a wide range of approaches, sensibilities, and sites of intervention to and locate one’s position in relation to, and across, multiple scales.