Titlebook: Creative License; The Art of Gestalt T Margherita Spagnuolo Lobb,Nancy Amendt-Lyon Book 2003 Springer-Verlag Wien 2003 Intervention.aesthet

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Therapy as an Aesthetic Issue: Creativity, Dreams, and Art in Gestalt Therapyitly stated that all that “happens” in the field, in relation to the contact, is in itself “creative”, because without the creative contribution of the subjects involved there is no contact, no experience, no relationship.

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The Influence of Otto Rank’s Concept of Creative Will on Gestalt Therapy993). Yet, an examination of the broader development of Gestalt therapy and practice suggests, unfortunately, that proper recognition of Rank has yet not taken place. Therefore, due to the scant number of theoretical publications by the most varied of Gestalt therapy authors on the subject of creati

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The Aesthetics of Commitment: What Gestalt Therapists Can Learn from Cézanne and Miles Davis of the therapist’s control of the client’s experience, through such methods as interpretation or conditioning programs, with a basic respect for the client’s subjectivity as a touchstone of psychotherapy.

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978-3-7091-7302-2Springer-Verlag Wien 2003

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https://doi.org/10.1007/978-3-642-59377-2 a sort of preparing the territory. When we met in Palermo, I think that the three of us fell in love with each other. So the real reason why I’m here is to continue our affair. In fact, like most lovers, we’re going to have many disagreements, and that will be the fun part to talk about, I think.