Titlebook: Creative Economies, Creative Cities; Asian-European Persp Lily Kong,Justin O‘Connor Book 2009 Springer Nature B.V. 2009 Asia.Cities.Creativ

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Book 2009es has derived from the European and North American policy landscape. Policy debate in Europe and North America has been marked by ambiguities and tensions around the connections between cultural and economic policy which the creative industry agenda posits. These become more marked because the key

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Creative Industries Across Cultural Borders: The Case of Video Games in Asiahis chapter..This paper attempts to address this triad of issues primarily with a production-and-innovation-oriented view of industrial organisation, bringing in creativity, culture and policy where possible. I shall do this primarily through the lens of one sector in particular — the video games in

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The European Creative Class and Regional Development: How Relevant Is Florida’s Theory for Europe?ke this exercise in a European context especially as Florida is central to policy-making in Europe as well. The creative class (or classes) in Europe is carrier of different cultures, historical experiences, educational backgrounds and possibly, different value systems. The regions are embedded in d

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Asian Cities and Limits to Creative Capital Theory “creative capital theory.” In essence, the theory explains why “ people climate” matter in attracting talents, and how such a socio-cultural environment of diversity and openness correlates with economic prosperity in the urban cities of “creativity-haves” and economic failure in the cities of “hav

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The Creative Industries, Governance and Economic Development: A UK Perspectiveeative industries as a potential driver of industrial and economic development. Since 1997, there has been in the United Kingdom an upsurge of government, private and third sector interest in the contribution of the creative industries to the UK economy and society (DCMS 1998, 2001, 2007; The Work F

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