Titlebook: Creating Memory; Historical Fiction a Farah Mendlesohn Book 2020 The Editor(s) (if applicable) and The Author(s) 2020 historiography.Englis

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The Commonwealth and the Protectorate,he period was arousing interest, and as monarchies fell in the early twentieth-century radical writers on both the left and the right saw in the period a setting to explore modern politics. ‘The Commonwealth and the Protectorate’ explores the portrayal of internal argument, of those who accepted the

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The Restoration,nd to focus on the perceived injustices of the Restoration settlement which left those who had sold their estates to compound with the Parliamentary commissioners, unrecompensed. Parliamentarian authors about the injustice of those who rose in the world being displaced. But both Parliamentarian and

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Creating Memory978-3-030-54537-6Series ISSN 2753-0825 Series E-ISSN 2753-0833

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https://doi.org/10.1007/978-3-642-10305-6rs, beginning with the state of the nation that Charles I inherited. The key areas discussed are the overturning of the Elizabethan religious settlement and its consequences in first Scotland and then England; the financing of the state and the relationship between Charles I and his Parliaments, the

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Daniel M. Roberts,Won Gyu Choi,Jin Ha Hwanginning with the Royalist staging of the war as the ‘capturing’ of the nation by factionalism, the emerging new narratives after the 1688 revolution in which Parliamentarianism began its cautious ascendancy, and through the new archive history of the mid-nineteenth century and beyond which led to maj

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Oxygen Transport in Waterlogged Plantse from Worcester, the Victoria story paintings that created the visual imagery of the war, the official and unofficial commemorations, and re-enactments, and the statues that set to claim the landscape. The chapter considers also the narratives and arguments that popular history books and museums se