Titlebook: Crafting the Nation in Colonial India; Abigail McGowan Book 2009 Palgrave Macmillan, a division of Nature America Inc. 2009 culture.India.

Cultivate

Association Rules and Sequential Patternsot indispensable, as also in Gem and Pebble cutting.” Such instruction, Jeejeebhoy argued, would do many things: develop skills, elevate taste, expand demand, introduce new industries, stimulate employment, and—finally—improve “the habits of Industry of the Middle and lower classes of our Native pop

不理會(huì)

glacial

Introduction,ial arts and handicrafts, considered as inessential luxuries, are practically ignored even by recognised authorities on economics.” Because such authorities “never attempted to interpret national wealth in terms of life,” they “found it impossible to realise the connection between art and industry a

CANDY

Temporal-Lobe

hangdog

Developing Traditions: Preservationist Design and the Independent Artisan,a School for the improvement of Arts and Manufactures.” As a member of Bombay’s organizing committee for the Great Exhibition in London, Jeejeebhoy had been struck by both the strengths and weaknesses of Indian artisans. Because of their delicate physiques, Indians were “naturally suited to industry

sphincter

四指套

blight

Addictive

https://doi.org/10.1057/9780230623231culture; India; Tradition