Titlebook: Crafting in the World; Materiality in the M Clare Burke,Suzanne M. Spencer-Wood Book 2019 Springer International Publishing AG, part of Spr

ANN

Looking Over the Shoulder of the Bronze Age Metalsmith: Recognising the Crafter in Archaeological Argth through leverage. In the course of being used, these tools develop wear that can be associated with different metalsmithing tasks. Due to this, metalsmithing tools are an important resource for understanding Bronze Age smiths and their work..In the Later Bronze Age, British smiths designed and u

流動(dòng)性

Grasping at Threads: A Discussion on Archaeology and Craftial culture as being a creation, then the artefact, or a structure, becomes not only . but also contains the idea of the form, the choices that were made, and the ideas about the function in the mind’s eye, as well as the social relations and interaction of the craftsmen all culminating in the gesta

頌揚(yáng)本人

impaction

Beauty and Grace in Making Artifacts: An Anthropological Gaze Upon Crafting in the World young men was about five hundred, and only five of them could not be motivated to make an artifact. Diversity within the total group of young men was composed by class, regional, religious, ethnic and national loyalties..In my discussion?I use conceptual ideas from a range?of anthropologists, such

Neolithic

Hold Infinity in the Palm of Your Hand: Learning the World Through Place-Based Craftcs, commerce, fashion, sustainability, etc., we literally touch all of these as our hands engage in crafts. In the immediacy of creative practice, we find a metaphor for our humanity: we are born to effect change.

KIN

moratorium

運(yùn)動(dòng)性

cathartic

BANAL