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Titlebook: Coward the Dramatist; Morals and Manners Roger Kojecky Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive license t

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發(fā)表于 2025-3-21 19:29:43 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Coward the Dramatist
副標(biāo)題Morals and Manners
編輯Roger Kojecky
視頻videohttp://file.papertrans.cn/240/239221/239221.mp4
概述Discusses dramatic technique in all of Coward’s major plays.Considers both the ‘pleasant’ and ‘unpleasant’ plays, as well as the episodic patriotic plays.Explores Coward’s ambivalent approach to the ‘
叢書名稱Bernard Shaw and His Contemporaries
圖書封面Titlebook: Coward the Dramatist; Morals and Manners Roger Kojecky Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive license t
描述.Discussions of Coward’s achievement in the theatre between 1920 and 1966 have tended to stay with the colourful biography. The more analytical literary approach adopted here places Coward’s success in its wider theatrical context, making the connections with the work of other dramatists. He developed his technique according to what worked with theatre audiences. Taking up the well-made play, he brought in a more colloquial dialogue, explored, for instance, the morality and psychology of marriage and free love, and frequently exploited the dramatic possibilities of characters grouped into two camps. The book considers both the ‘pleasant’ and ‘unpleasant’ plays (to use the Shavian terms), and the episodic patriotic plays. It Includes Coward’s ambivalent approach to the ‘theatre of war’ in the 20th century. (123).
出版日期Book 2024
關(guān)鍵詞No?l Coward; Twentieth-Century British Theatre; Theatre of War; Theatre History; Avant-Garde; Experimenta
版次1
doihttps://doi.org/10.1007/978-3-031-52284-0
isbn_softcover978-3-031-52286-4
isbn_ebook978-3-031-52284-0Series ISSN 2634-5811 Series E-ISSN 2634-582X
issn_series 2634-5811
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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沙發(fā)
發(fā)表于 2025-3-21 20:39:44 | 只看該作者
The Entertainer,at convention, and in his large-scale dramas of British and colonial life celebrates the crises and achievements that defined a nation. At the same time he has some room in several later plays for the American experience. His career shows a development, effecting a transition from Edwardian theatre to that of Osborne and Pinter.
板凳
發(fā)表于 2025-3-22 04:07:36 | 只看該作者
Claes H. de Vreese,Holli A. Semetko rather than male infidelity as material for a triangular comedy in which Julia and Jane’s friendship, rivalry and jealousy are entertainingly depicted. Coward is by now a master of dialogue and dramatic situation.
地板
發(fā)表于 2025-3-22 05:50:58 | 只看該作者
Operationalisierung der zentralen Variablenovide the theme; a play that presents a picture of Britain in 1950. ., a last full-length comedy of manners mingles a wistful ripeness with a change of partners formally similar to .. . disappoints the promise of its art hoax idea. (129).
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發(fā)表于 2025-3-22 11:34:18 | 只看該作者
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發(fā)表于 2025-3-22 16:25:16 | 只看該作者
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發(fā)表于 2025-3-22 18:43:18 | 只看該作者
Operationalisierung der zentralen Variablenich was, is an episodic celebration of British history since the Boer War, uncritical and patriotic. Coward chose . and had a huge success with it, but left for one of his foreign tours with uneasy twinges about his decision.
8#
發(fā)表于 2025-3-23 01:05:45 | 只看該作者
Operationalisierung der zentralen Variablenat convention, and in his large-scale dramas of British and colonial life celebrates the crises and achievements that defined a nation. At the same time he has some room in several later plays for the American experience. His career shows a development, effecting a transition from Edwardian theatre to that of Osborne and Pinter.
9#
發(fā)表于 2025-3-23 01:49:02 | 只看該作者
10#
發(fā)表于 2025-3-23 08:19:53 | 只看該作者
Post-war Drama and Fiction,ovide the theme; a play that presents a picture of Britain in 1950. ., a last full-length comedy of manners mingles a wistful ripeness with a change of partners formally similar to .. . disappoints the promise of its art hoax idea. (129).
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