Titlebook: Cosplay and the Art of Play; Exploring Sub-Cultur Garry Crawford,David Hancock Book 2019 The Editor(s) (if applicable) and The Author(s) 20

過時

Book 2019dentities, and performances.?..Drawing on new and original ethnographic data, as well as the innovative use of arts-led research, this book adds to our understanding of a popular, global cultural practice. In turn, this pushes forward our understanding of play, fan practices, subcultures, practice-l

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Introduction: What Is Cosplay?,rd, and hence, this chapter provides a detailed exploration of how we can understand and carry forward research into this community and its practices. In particular, we argue that cosplay is best understood as a craft, a subculture, and a performance, all of which are created and recreated in specific places both offline and online.

創(chuàng)造性

閃光你我

Cosplay as Subculture, and continuously visible cultures. But rather, the substance of most subcultures is found in their everyday and often mundane practices, such as subtle forms of consumption, participating in networks online, or a shared sense of community and identity.

Manifest

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Book 2019ed research, and uses of urban spaces.?..Cosplay and the Art of Play?.offers a significant addition to key contemporary debates on the meaning and uses of popular culture in the 21st century, and will be of importance to students and scholars interested in?communities, fandom, identity, leisure, participatory cultures, performance, and play..

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Obligatory

uid identities, fluid communities, and speed, summed up by the mantra of ‘move fast and break things’ (Taplin 2017), cosplay, like art, offers some respite, and an opportunity to ‘move slow and make things’.

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aggressor