Titlebook: Coordination Languages and Models; Third International Paolo Ciancarini,Alexander L. Wolf Conference proceedings 1999 Springer-Verlag Berl

顯微鏡

El Teatro Espa?ol (Federico García Lorca) modules. This is to program reactive systems such that subsystems may proceed at their own speed without enforcing a global knowledge of time. We intend is to stick with the synchronous language paradigm as close as possible since we aim for properties such as local determinism (each agent/control

無法解釋

transplantation

準則

AXIS

El Teatro Espa?ol (Federico García Lorca)re designated .. The hierarchical model provides a simple, intuitive basis for actor communication and coordination. Casts serve as abstraction units for naming, migration, synchronization and load balancing. . are actors used to send messages with special behaviour across casts. Moreover, an implem

GUISE

El Teatro Espa?ol (Federico García Lorca)of new services at run-time. In a bottom-up approach we presume a network void from any functionality and study the problem of deploying and providing a basic, externally defined and non-trivial distributed service. As a test case we use the robust election of a coordinator. Based on the bully algor

控制

流利圓滑

搖曳

Differentiation of Multivariate Functions,etwork. In order to model such an activity, some supervising or . mechanisms are needed, to insure correctness of both movement and communication in the network. In this paper we propose distributed object-based action systems as a basis for (coordinated) mobile computing. In order to model mobility

慷慨不好