Titlebook: Coordination Languages and Models; Third International Paolo Ciancarini,Alexander L. Wolf Conference proceedings 1999 Springer-Verlag Berl

厭煩

El Teatro Espa?ol (Federico García Lorca)t rewriting. We show how MobiS can be exibly used to specify architectures containing mobile components and give formalization of some common mobility paradigms..We explore the styles we introduce showing how they model the soft-ware architecture of a “Purchasing System”, a case study in electronic commerce.

思想流動

El Teatro Espa?ol (Federico García Lorca)end is to stick with the synchronous language paradigm as close as possible since we aim for properties such as local determinism (each agent/control unit should have a predictable behaviour) or global deadlock detection, though we want to enhance modularity and exibility of system design.

antidepressant

音樂等

人類

El Teatro Espa?ol (Federico García Lorca) correct under these conditions with relational reasoning. It also proves renement in the other direction correct with respect to a stronger renement relation, statebased simulation, and strengthens it further to a precongruence using Chaudron’s “convex simulation” and the new notion of “data-equivalent” simulation.

STEER

El Teatro Espa?ol (Federico García Lorca)ate the model by two sample applications: an atomic multicast protocol and a messenger carrying remote exception-handling code. These applications have been implemented in Java, leveraging the existence of cross-platform, safe virtual machine implementations.

Myofibrils

El Teatro Espa?ol (Federico García Lorca)ts that carry both some content and some code able to manipulate such a content. Users, agents, and active documents can interoperate using a set of basic services for communication and synchronization. The active Web implementation we describe here is based on coordination technology integrated with Java.

definition

MAUVE

Isometric