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Titlebook: Contexts for Music Learning and Participation; Developing and Susta Andrea Creech,Maria Varvarigou,Susan Hallam Book 2020 The Editor(s) (if

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書目名稱Contexts for Music Learning and Participation
副標(biāo)題Developing and Susta
編輯Andrea Creech,Maria Varvarigou,Susan Hallam
視頻videohttp://file.papertrans.cn/237/236907/236907.mp4
概述Illuminates intersections between informal, non-formal and formal practices and contexts in music education.Examines the role these practices and contexts play in supporting the development of musical
圖書封面Titlebook: Contexts for Music Learning and Participation; Developing and Susta Andrea Creech,Maria Varvarigou,Susan Hallam Book 2020 The Editor(s) (if
描述This book sets out a contemporary perspective on music education, highlighting complex intersections between informal, non-formal and formal practices and contexts. At a time when the boundaries between music learning and participation are increasingly blurred, this volume is distinctive in challenging a ‘siloed’ approach to understanding the diverse international music education landscape. Instead, the book proposes a multi-layered continuum of practices that can be applied across a range of formal, informal or non-formal concepts to support the development of musical possible selves. It challenges existing conceptions of learning in music education in part by drawing on research in adult learning, but also by considering the contexts in which learning takes place, and the extent to which this learning can be classified as formal, informal or non-formal.?.
出版日期Book 2020
關(guān)鍵詞Learning frameworks; Informal learning in music education; Formal learning in music education; Non-form
版次1
doihttps://doi.org/10.1007/978-3-030-48262-6
isbn_softcover978-3-030-48264-0
isbn_ebook978-3-030-48262-6
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive licence to Springer Nature Switzerl
The information of publication is updating

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Emergent Musical Possible Selves in Primary School,experiences may contribute to lifelong musical possible selves. We begin the chapter with a discussion of some issues concerning the roles of specialist music teachers and generalist classroom teachers, in primary music education. We then discuss the particular ways that teachers may exert an influe
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The Role of Further and Higher Education in Shaping Musical Possible Selves,hting some critical questions and debates. We explore the ways that different facilitation approaches within tertiary music education can have a profound influence on the musical trajectories of students who are at a critical transition point in their lives. The idea of students as partners is discu
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Lifelong Musical Possible Selves: Adult Music Learning and Participation,idea of music-making as leisure. The question of whether adult learning is qualitatively different from learning at any other stage of life is discussed, framed by the concepts of andragogy and geragogy. We consider the implications of music learning and participation in adulthood, with regard to re
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Peer Learning and the Construction of Musical Possible Selves,acilitation modes set out in Chap. .. We begin this chapter with a review of evidence concerned with the potential benefits of symmetrical peer-to-peer learning or asymmetrical peer-assisted learning. We consider theoretical frameworks for peer learning, including social interdependence theory and s
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