Titlebook: Contesting Performance; Global Sites of Rese Jon McKenzie (Associate Professor of English),Heik Book 2010 Palgrave Macmillan, a division of

神圣不可

Critical Writing and Performance Studies: The Case of the Slovenian Journal tform for critical reflection on art and culture, where the journal not only represents certain artistic practices but also participates actively in them. The second is a story about the relation between the ‘local’ and the ‘global,’ which needs to be complemented here with the category of the ‘nati

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Introduction: Contesting Performance in an Age of Globalizationnd the world — but to the . of researchers themselves. These locations have steadily expanded over the past two decades, whether it be in terms of individual researchers working alone or in small groups on different continents. This expansion is mirrored by the emergence of performance research and

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The Practice Turn: Performance and the British Academy research currently undertaken in the United Kingdom, in whichever discipline, is done so in anticipation of the forthcoming . (also known as ‘RAE 2008’), a national audit of research activity, conducted by the UK’s Higher Education funding councils, that will for the next few years determine the le

陳腐思想

Rhetoric in Ruins: Performance Studies, Speech, and the ‘Americanization’ of the American Universityone in the increasingly globalized world of higher education. To reflect on the university in this way meant focusing one’s attention less on the content and micro-moves within ‘the culture wars’ of the 1990s and more on analyzing the social, cultural, and institutional status of those debates thems

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Between Antipodality and Relational Performance: Performance Studies in Australiations about the ‘current disciplinary status of and the scope of research in Performance Studies in Australia’ and whether there is such a thing as “Australian Performance Studies” and, if so, how it differs from Performance Studies in other geographical locations, and especially from the United Sta