Titlebook: Contesting Genres in Contemporary Asian American Fiction; Betsy Huang Book 2010 Betsy Huang 2010 America.fiction.migrant

無思維能力

Generic ,ular and critical audiences is likely to be preceded by presumptions about its writer, its subject matter, its prose style, and, most significantly, the information it will provide about the culture and history of the particular Asian group with which the author is affiliated. For Asian American wri

系列

Recriminations,Asian Americans. Cho Seung-hui, the Korean American undergraduate student at Virginia Polytechnical Institute and State University who killed 33 people, including himself, on campus on that day, tapped into Americans’ anxieties about the Asians in their midst because the crime was perpetrated by suc

legislate

Reorientations,ationist virtues and racialized vices, what might a marginal, subcultural genre like science fiction offer to the representational vocabulary? Asians and Asian Americans, of course, are no strangers to science fiction; indeed, the history of U.S. relations with Asian countries is uncannily reflected

Arctic

Conclusion: The Genre is the Message, self-representation. “A President can have all the vision in the world, be an extraordinary orator and a superb politician, have courage and foresight and a willingness to make painful choices, have a bold progressive plan for his nation,” Diaz writes, “but none of these things will matter a wit if

寬敞

oncologist

HAVOC

Contesting Genres in Contemporary Asian American Fiction978-0-230-11732-7

尖酸一點(diǎn)

Immunoglobulin

躺下殘殺

Fabrizio Formati,Elena Laudante,Mario Buonos of praise bestowed and scholarship produced on the novel, the imaginative combination of the immigrant novel with the spy thriller is singled out as one of the novel’s most distinctive qualities. Yet it was marketed as an immigrant novel. That . is marketed primarily as such should not be surprisi