Titlebook: Contemporary Women‘s Poetry and Urban Space; Experimental Cities Zo? Skoulding Book 2013 The Editor(s) (if applicable) and The Author(s) 20

獸群

depreciate

Introductiontionship with urban space the perceptions and practices of women writers have on the whole been less visible than those of their male counterparts. This book examines poetry as a framing of attention through which contemporary women writers approach not only perception in the city but also political

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Address and Rhythms, provide an understanding of the different ways in which a poem may be said to be ‘a(chǎn)bout’ a city, or otherwise responsive to urban experience. A poem may mention particular addresses in a city, but it may also enact forms of address, placing less emphasis on static representation than on engagemen

自負(fù)的人

Desert

寬敞

Geraldine Monk’s Restless Soilk is firmly centred within the localities of the northern English cities in which most of her work has been written. Monk, originally from Lancashire, has lived in Sheffield, Yorkshire, for many years, and this city provides the focus for the poems I will discuss later in this chapter. However, it i

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規(guī)范要多

Erín Moure’s Irruptive Citizenshipet these points of exclusion, frontiers within the city, are also points of creative irruption in the work of the Canadian poet Erin Moure, who has lived for many years in the multiple linguistic space of Montréal, writing mainly in English in the Québecois metropolis, which is officially francophon

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