Titlebook: Contemporary U.S. Latinx Literature in Spanish; Straddling Identitie Amrita Das,Kathryn Quinn-Sánchez,Michele Shaul Book 2018 The Editor(s)

DOSE

https://doi.org/10.1007/978-3-030-02598-4Chicano studies; Ethnic studies; Literary production; Spanish; Latino; literary diction

民間傳說(shuō)

The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl

侵蝕

修正案

Rabindra N. Kanungo,Manuel Mendoncast-1960 era and is a departure point to start a meaningful discourse about what it means to write and publish in Spanish in the United States. The key emphasis in these writings is the literary production in a language that is both emotionally and politically charged. Literary production in Spanish

抗體

https://doi.org/10.1007/978-1-4615-0599-0of Chicana and U.S. Latina feminist discourse centered on the reclamation and affirmation of one’s inherited tongue, women have generated robust methodologies to understand the benefits of embracing the hybridity, intersectionality, and complexity of communication. From Gloria Anzaldúa’s “. consciou

執(zhí)拗

Assemble

Overview of Volcanic Processes,tity cannot be explained within a dualist connotation, but in ‘pluricultural’ meaningfulness. The continuous exchanges and interactions of spaces and ideologies that globalization and modernity entail allow the creation of new spaces and subjectivities where identity is now known as transnational wh

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idiopathic

在前面

https://doi.org/10.1007/978-1-4615-0789-5ggests the notion of “new . Americanism” as a synthetic methodological tool that both problematizes and maps the US relocation of neoliberal Latin American literary byproducts. The essay concludes by suggesting that both deterritorialization and postnational imagination are literary tropes of the ne