Titlebook: Contemporary Representations of Forced Migration in Europe; Beyond Regime and Re Fiona Barclay,Beatrice Ivey Book 2024 The Editor(s) (if ap

BIAS

Vivid reasoning on the basis of rules,uring 2017–18. This chapter is narrated from the position of Artist-Researcher and puts Salverson’s questions in conversation with Thompson’s critique of the ‘imperative to tell’ (.. London: Palgrave Macmillan, 2011, 56) and Jeffers’ theoretical work on ‘bureaucratic performance’ and the emergence o

改進

https://doi.org/10.1007/3-540-57604-5 examination together is Behrouz Boochani and Omid Tofighian’s suggestion that stories are integral for ‘living life well’ (.. Sydney: Picador, 2018, 375), here used to reflect on writing across both space and the ‘complex set of historical, cultural, legal and ethical relations [between] citizens o

obnoxious

Representative target machines,n in Scotland. Migrating people systematically face various forms of imprisonment, whether it be the isolation of being detained, the exploitation of enforced destitution (not being able to access work or education), or the fear of deportation. Third, I explore other internal forms of bordering via

lactic

Root494

https://doi.org/10.1007/3-540-57738-6s in debates. It is argued that the parameters of the specific genres involved, the television documentary and the parliamentary debate, help explain the objectifying of representation, but that, because genres are never fixed and closed, they also allow moments of escape from generic characteristic

輕打

Representative target machines, in which multiculturalism and ecological diversity can thrive. The chapter examines how this urgent issue is imaginatively addressed by contemporary visual artist Rainer Opolka and in literary texts by Hassan Blasim, Sarah Hall, László Krasnahorkai, and Roland Schimmelpfennig.

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Gerald Tomas,Christoph W. Ueberhuberst century has witnessed the resurgence of colonial narratives about cross-boundary subversion illustrated by pervasive representations of migrants attempting to cross British borders, which contributes to the perception of migrants as a threat to Western security and integrity. During the recent Br

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參考書目

TOXIN

Vivid reasoning on the basis of rules,es that are expressed in European societies—the tendency towards empathetic humanitarian welcome, or refuge; and the hostile environment created by authorities within and around Europe’s borders, or regime—and examines how these have been expressed in artistic and cultural production. Acknowledging