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Titlebook: Contemporary Photography as Collaboration; Mathilde Bertrand,Karine Chambefort-Kay Book 2024 The Editor(s) (if applicable) and The Author(

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樓主: 休耕地
11#
發(fā)表于 2025-3-23 12:20:14 | 只看該作者
12#
發(fā)表于 2025-3-23 14:17:10 | 只看該作者
/“Qu’on est loin des Amériques”: A Collaboration Between Photographers and Geographersaphers, photographers, and local residents, leading to the production of an illustrated Atlas de la Manche and a series of workshops and an exhibition entitled “Qu’on est loin des Amériques”. As actors immersed in different ‘iconographic systems’ (Mendibil 2008), participants faced issues of image p
13#
發(fā)表于 2025-3-23 21:17:16 | 只看該作者
14#
發(fā)表于 2025-3-23 23:46:38 | 只看該作者
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發(fā)表于 2025-3-24 05:03:19 | 只看該作者
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發(fā)表于 2025-3-24 09:51:54 | 只看該作者
Reflective Portfolio: Invisible Lives, Universal Dreamst was during that first project that I felt it was ethically appropriate to have an exchange and an invitation for participation and it was also an opportunity to start to develop feelings and a methodology that have guided me and permeated my way of working through collaboration since.
17#
發(fā)表于 2025-3-24 12:38:52 | 只看該作者
Reflective Portfolio: “Scattered Memories of a Distorted Future”an be found in all of my photo series, but in the project entitled “Scattered Memories of a Distorted Future,” started in May 2021 and still ongoing, collaboration has not been just to advance my project but has formed the core concept of the work.
18#
發(fā)表于 2025-3-24 18:21:21 | 只看該作者
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發(fā)表于 2025-3-24 19:25:01 | 只看該作者
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發(fā)表于 2025-3-25 02:39:36 | 只看該作者
Verhaltensbiologie: Inhalte und Geschichtet was during that first project that I felt it was ethically appropriate to have an exchange and an invitation for participation and it was also an opportunity to start to develop feelings and a methodology that have guided me and permeated my way of working through collaboration since.
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