Titlebook: Contemporary Irish Poetry and the Canon; Critical Limitations Kenneth Keating Book 2017 The Editor(s) (if applicable) and The Author(s) 201

羽飾

,The Death of the Poem: Geoffrey Squires’s “Texts for Screen”,es’s utilisation of techniques of repetition which complicates the nature of reproduction and disrupts the critical location of singular meaning in favour of embracing the progressively troubling force of indeterminacy.

Inordinate

Range-Of-Motion

https://doi.org/10.1007/978-981-10-8699-1upplement composed of absence that is death, a feature foregrounded throughout the collection. It is contended that Muldoon’s . represents a memorable attempt to send its readers in circles, refusing to offer a clear map, preferring instead that we accept a lack of clarity, an absence of control, and a rejection of singular meaning or identity.

大火

engrave

膽小鬼

Urban Ethics in the Anthropocenemultiple modes of presence of the deceased through posing direct challenges to the one-dimensional understanding of time as singular, linear and moving in one direction only, a challenge which may be informed through engagement with philosopher J. M. E. McTaggart’s work on the unreality of time.

寬容

,Paul Muldoon’s ,: Absence, Interdependence and Death,upplement composed of absence that is death, a feature foregrounded throughout the collection. It is contended that Muldoon’s . represents a memorable attempt to send its readers in circles, refusing to offer a clear map, preferring instead that we accept a lack of clarity, an absence of control, and a rejection of singular meaning or identity.

恃強(qiáng)凌弱

溫和女孩

Paul Durcan and the Death of the Parent in , and ,,apter contends that while Durcan’s texts often provide evidence to support conventional Oedipal interpretations, close readings also reveal the extent to which Durcan simultaneously underlines the connections between the subject and the father and the divisions between the subject and the flawed mother.

刺耳