Titlebook: Contemporary Indian Dance; New Creative Choreog Ketu H. Katrak Book 2011 Palgrave Macmillan, a division of Macmillan Publishers Limited 201

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書(shū)目名稱(chēng)Contemporary Indian Dance影響因子(影響力)

書(shū)目名稱(chēng)Contemporary Indian Dance影響因子(影響力)學(xué)科排名

書(shū)目名稱(chēng)Contemporary Indian Dance網(wǎng)絡(luò)公開(kāi)度

書(shū)目名稱(chēng)Contemporary Indian Dance網(wǎng)絡(luò)公開(kāi)度學(xué)科排名

書(shū)目名稱(chēng)Contemporary Indian Dance被引頻次

書(shū)目名稱(chēng)Contemporary Indian Dance被引頻次學(xué)科排名

書(shū)目名稱(chēng)Contemporary Indian Dance年度引用

書(shū)目名稱(chēng)Contemporary Indian Dance年度引用學(xué)科排名

書(shū)目名稱(chēng)Contemporary Indian Dance讀者反饋

書(shū)目名稱(chēng)Contemporary Indian Dance讀者反饋學(xué)科排名

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Contemporary Indian Dance978-0-230-32180-9Series ISSN 2947-4949 Series E-ISSN 2947-4957

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2947-4949 e. Myriad movement vocabularies intersect the dancers‘ creative landscape, while?cutting-edge creative choreography parodies gender and cultural stereotypes, and represents social issues.978-1-137-47240-3978-0-230-32180-9Series ISSN 2947-4949 Series E-ISSN 2947-4957

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https://doi.org/10.1057/9780230321809Indian dance; international performance; bibliography; dance; dancing; gender; India; stage; Tradition

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978-1-137-47240-3Palgrave Macmillan, a division of Macmillan Publishers Limited 2011

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International Criminal Justice Seriesnd underscores the need for the kind of “context-sensitive” analysis that he recommends. The presence of British colonizers and Indian nationalists provide a similar set of contexts within which the place and position of Indian classical dance should be viewed. Doing so highlights a key paradox: soc

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Universal Service in WTO and EU laweers in following this style in their nearly four-decade long careers. Today, Deboo’s name is synonymous with Contemporary Indian Dance, “a dance theatre style of his own which successfully assimilates Indian and Western techniques.”. However, for a long time after the start of his career in 1960, A

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