Titlebook: Contemporary Hispanic Crime Fiction; A Transatlantic Disc Glen S. Close Book 2008 Palgrave Macmillan, a division of Nature America Inc. 200

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書目名稱Contemporary Hispanic Crime Fiction影響因子(影響力)




書目名稱Contemporary Hispanic Crime Fiction影響因子(影響力)學科排名




書目名稱Contemporary Hispanic Crime Fiction網(wǎng)絡(luò)公開度




書目名稱Contemporary Hispanic Crime Fiction網(wǎng)絡(luò)公開度學科排名




書目名稱Contemporary Hispanic Crime Fiction被引頻次




書目名稱Contemporary Hispanic Crime Fiction被引頻次學科排名




書目名稱Contemporary Hispanic Crime Fiction年度引用




書目名稱Contemporary Hispanic Crime Fiction年度引用學科排名




書目名稱Contemporary Hispanic Crime Fiction讀者反饋




書目名稱Contemporary Hispanic Crime Fiction讀者反饋學科排名

Delectable

Studies in Theoretical Psycholinguisticsnineteenth-century sleuths of Edgar Allan Poe, émile Gaboriau, Arthur Conan Doyle, and their disciples were usually Parisians and Londoners, and it is generally understood that their success as cultural heroes had as much to do with the shocks of accelerated urbanization as it did with the timeless

Ingredient

熱情的我

Sound Radiation and Sound Diffraction,ongest. The first two recognizably generic detective novels written in Spanish were published in Buenos Aires in 1877 by a lawyer, journalist, and legislator named Luis V. Varela, who became president of the Argentine Supreme Court in the same year of their publication. Both Varela and Eduardo Holmb

情節(jié)劇

Special Methods of Ultrasonic Imaging, of their national tradition to 1877, no such agreement exists between Spanish critics. As indicated in Chapter 1, Patricia Hart and Ricardo Landeira disagree with Jose F. Colmeiro and Joan Ramon Resina in their characterization of nineteenth century texts such as Alarcón’s ., and no consensus has b

隨意

隨意

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該得

lobalization of literary forms and markets. It centers on the inscription of urban space in novels set in the metropolitan centers of the Hispanic World: Mexico City, Bogota, Buenos Aires, and Barcelona.978-0-230-61463-5

變形

Book 2008n produced in Spanish America and Spain during recent decades. It documents the emergence and permutations of this production as an index not only of local perceptions of contemporary urban experience and of a contemporary urban "ecology of fear," but also as a transnational index of the globalizati

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