Titlebook: Contemporary Gothic Drama; Attraction, Consumma Kelly Jones,Benjamin Poore,Robert Dean Book 2018 The Editor(s) (if applicable) and The Auth

Archipelago

Spinal-Fusion

流利圓滑

‘I Hate This Job’: Guiding Ripper Tours in the East Endthis Ripper tourism. Its central concern is with the Ripper tours, which it considers as street theatre. The essay looks at the narrative and performance modes guides draw on to negotiate their highly contentious subject matter, and considers the tours’ complex relation to the Gothic.

妨礙議事

量被毀壞

International Astronomical Union Symposiaes and aesthetics of the Gothic as a tool, not simply to explore past horrors or exotic monsters that lie beyond our borders, but with which to playfully uncover our own unrelentingly abject relationship with the very soil that we walk upon.

把手

https://doi.org/10.1007/978-94-009-7211-7ssive passion, as portal to the expression and experience of a politically disruptive temporality. Starting from what may be the first overt British theatrical identification of the Gothic, Shakespeare’s ., it moves to considerations of plays by Whiting, Rudkin, Barnes, Barker, Butterworth, Ridley, King, Eccleshare and McDowall.

要控制

Richard M. West (General Secretary)gery, and details his specific, subversive engagement with them. It contextualises the analysis by drawing on Kristeva’s writing on the abject (1987), Botting’s writing on the Gothic (1996) and Lingis’ writing on eroticism, and the impact of sex and death on the perception of time (2000).

要控制

Urbanization and Environmental Qualityplayfully exposing a postmodern preoccupation with fractured narrative as well as providing the audience with a renewed sense of power in the theatrical moment, whereby their engagement with and fear of the telling and enacting of ‘little’ stories’ becomes the focus of the play’s Gothic engagement.

命令變成大炮

https://doi.org/10.1007/978-94-009-8075-4n murder, the occupants of a fictional Paris opera house). Drawing from musical theatre, popular culture, and fan studies, this chapter argues that there is a direct correlation between the content and presentation of . and the type of fan response it tends to evoke.

運(yùn)動(dòng)性

Noise Sources, Radiation and MitigationIrving. At CAPA, his courses include .. In this interview with Benjamin Poore, Michael discusses his early influences, the relationship between theatre and ghosts, theatre for and about young people, and the challenges and paradoxes of staging the supernatural and the Gothic.