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Titlebook: Contemporary French Theatre and Performance; Clare Finburgh (Senior Lecturer in Modern Drama),C Book 2011 Palgrave Macmillan, a division o

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發(fā)表于 2025-3-21 16:38:13 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Contemporary French Theatre and Performance
編輯Clare Finburgh (Senior Lecturer in Modern Drama),C
視頻videohttp://file.papertrans.cn/237/236487/236487.mp4
叢書名稱Performance Interventions
圖書封面Titlebook: Contemporary French Theatre and Performance;  Clare Finburgh (Senior Lecturer in Modern Drama),C Book 2011 Palgrave Macmillan, a division o
描述This is the first book to explore the relationship between experimental theatre and performance making in France. Reflecting the recent return to aesthetics and politics in French theory, it focuses on how a variety of theatre and performance practitioners use their art work to contest reality as it is currently configured in France.
出版日期Book 2011
關(guān)鍵詞dance; performance; theatre
版次1
doihttps://doi.org/10.1057/9780230305663
isbn_softcover978-1-349-36850-1
isbn_ebook978-0-230-30566-3Series ISSN 2947-5600 Series E-ISSN 2947-5619
issn_series 2947-5600
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2011
The information of publication is updating

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Performing Presence, Affirming Difference: Deleuze and the Minor Theatres of Georges Lavaudant and Celeuzian, as well as broadly philosophical, sympathies. As far back as 1977, Lavaudant had argued that the French theatre of his time was not ‘philosophical enough’ and supported Antoine Vitez’s desire to ‘begin the circulation of thought’ in and . theatre (Lavaudant in Champagne, 1984: 87). Equally
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Xavier le Roy: The Dissenting Choreography of One Frenchman Less independent and internationally orientated, and his attempt to experiment with alternative ways of working has, by implication, real aesthetic and political significance. This fact is critical because it determines the specific form of Le Roy’s . from the majority of French . practitioners like Mag
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