Titlebook: Contemporary Film Music; Investigating Cinema Lindsay Coleman,Joakim Tillman Book 2017 The Editor(s) (if applicable) and The Author(s) 2017

upstart

Epidemiologie van urogynaecologie, Danny Boyle’s directorial skills, Rahman’s confusion with Western ideas about the significance of major and minor keys, and Rahman’s thoughts on the editing of Latika’s theme in .. Rahman discusses his own work as a vocalist on many of the films he has scored, including . and . (2007).

致敬

Up from Clinical Epidemiology & EBMa, his relationship with Howard Shore, the importance of ambient sound to his scores, the depiction of sexuality through music, and how Steven Spielberg producing . (2010) forced him to rethink some of his cues.

forebear

Up from Clinical Epidemiology & EBMoint of view struck in the score for . (1999) is more that of the character Dr Larch than the film’s presumptive hero Homer. She discusses how she goes about chord formations for her scores, and also goes into a quite detailed discussion of how her creative process as a composer works.

Nebulous

Up from Clinical Epidemiology & EBMDario Marianelli discusses the specific approach behind Briony’s theme from ., the integration of camera movement and blocking with the theme ‘Dunkirk’ from the same film, his frustrations with the poor sound quality of his score for ., and his particular affinity for the cello.

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An Asymmetrical Register File: The VWR,Mychael Danna discusses the score of . (2012). Danna goes into detail on the subject of his relationship with Ang Lee, Indian music, commercial imperatives behind the making of the film, and important narrative and thematic influences on the music he composed for the film. He also discusses his scores for the films . (2006) and . (2011).

想象

NICHE

Mychael Danna Interview,Mychael Danna discusses the score of . (2012). Danna goes into detail on the subject of his relationship with Ang Lee, Indian music, commercial imperatives behind the making of the film, and important narrative and thematic influences on the music he composed for the film. He also discusses his scores for the films . (2006) and . (2011).

Conflict

Introduction,and essays about particular features of those composers’ work. In the interviews the focus is on the practical considerations of film composition, the relationships each composer has with the moving image, technical considerations, personal motivations in composing, the relationships composers have

不自然

HUMP