Titlebook: Contemporary Fiction and the Ethics of Modern Culture; Jeffrey Karnicky Book 2007 Jeffrey Karnicky 2007 culture.fiction.novel

入會

CRACY

Compass

LOPE

杠桿

遺產(chǎn)

,Silence Junkies: Irvine Welsh’s Novel Subjectivities,es that “to write is to make oneself the echo of what cannot cease speaking—and since it cannot, in order to become its echo I have, in a way, to silence it” (. 27). Mark Renton, a character in Welsh’s ., says, “Sometimes ah think that people become junkies just because they subconsciously crave a w

兵團(tuán)

Conclusion: The Demand of Bartleby, reading works in the classroom. I can easily tell my students that an ethical reading is one in which a reader carefully considers how to respond to the otherness of a text, but, for most students, such a formulation is just going to be so many words. I can also lecture my students and minutely map

致詞

https://doi.org/10.1007/978-88-470-2742-8nability of the traffic to not progress toward its destination; it mirrors the impossibility of not building the highway that the traffic cannot help but drive on. Ressler’s “fascinated disgust” describes a double-edged desire—to quit and to go on, to stop and to progress—that possesses both Powers’s characters and his narrative voice.

municipality

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