Titlebook: Contemporary Fiction and Science from Amis to McEwan; The Third Culture No Rachel Holland Book 2019 The Editor(s) (if applicable) and The A

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Michel Houellebecq and the Possibilities of Fiction,elevance of the objective, material world to philosophical thought. The chapter outlines recent developments in continental philosophy, in which a revived interest in the significance of the material world and a desire to re-engage with the ‘in itself’ after decades of what Quentin Meillassoux terms

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Conclusion,rroring, whereby these authors associate science with objectivity at the same time that they compete with its objective claims. In the same way that science is used selectively where questions of objectivity are concerned, the third culture novel allies itself with science when it comes to undermini

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2634-6435 ubjectivity. The book analyses the work of Martin Amis, William Boyd, David Lodge, Richard Powers, Michel Houellebecq, Jonathan Franzen, Margaret Atwood, and Ian McEwan, revealing the ways in which these ‘third culture novels’ negotiate the relationship between literature and science..978-3-030-16375-4Series ISSN 2634-6435 Series E-ISSN 2634-6443

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Contemporary Fiction and Science from Amis to McEwanThe Third Culture No

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S. Leonesi,C. Toffalori,S. Tordiniences has produced an unprecedented self-critical turn in the novel. It defines the ‘third culture novel’ as a new strand of contemporary fiction which engages with the implications of the newest sciences in a number of ways. These include: researching and relaying information gleaned from scientifi

vasculitis

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Anna Gallotti,Riccardo Manfredind . by David Lodge are generally included by critics under this definition, but this chapter argues that they are better classified as .neuronovels if we are to take the prevailing categorizations, with their emphasis on the ability of neuroscience to ‘refresh and redeem’ an exhausted literature, a

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