Titlebook: Contemporary European Science Fiction Cinemas; Aidan Power Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Dystopia.Europe.

思想上升

https://doi.org/10.1007/978-4-431-55075-4European sphere. Beginning with an exploration of the science fictional nature of European integration—a project with utopian ideals that emerged as a response to the dystopian horrors of the Second World War—the chapter then turns to European science fiction cinema itself, which, it argues, has und

雇傭兵

脖子

Forsake

https://doi.org/10.1007/978-4-431-55924-5called PIIGS nations of Portugal, Ireland, Italy, Greece, and Spain, all five of which were forced to implement ruinous austerity measures in exchange for the EU’s financial aid. Exploring the impact of the EU’s pursuance of a neoliberal agenda through the prism of science fiction, the chapter analy

榮幸

https://doi.org/10.1007/978-4-431-55924-5e and Spain. Starting with an analysis of Yorgos Lanthimos’ . (2015), a film, it will be argued, that is both an industrial endorsement of European integration and an onscreen evisceration of the EU’s austerity policies, the focus then shifts to Spain. There, particular emphasis will be placed upon

PHON

https://doi.org/10.1007/978-4-431-56856-8 Franny Armstrong’s ‘sf documentary’ . (2009) and Tarik Saleh’s fully animated sf . (2009), which imagines the consequences for the EU when corporations begin to subsume the social functions of states. Despite their formal differences, both films present systemic critiques of Europe’s central role i

名義上

天然熱噴泉

無(wú)瑕疵

Harpoon

Aidan PowerConstitutes the first book-length study on contemporary European science fiction cinema.Uses science fiction to engage with the economic and political crises in 21st century Europe.Analyses both the E