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Titlebook: Contemporary Drama and the Popular Dramatic Tradition in England; Peter Davison Book 1982 Peter Davison 1982 American Literature.Charles D

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發(fā)表于 2025-3-21 19:22:33 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Contemporary Drama and the Popular Dramatic Tradition in England
編輯Peter Davison
視頻videohttp://file.papertrans.cn/237/236447/236447.mp4
圖書封面Titlebook: Contemporary Drama and the Popular Dramatic Tradition in England;  Peter Davison Book 1982 Peter Davison 1982 American Literature.Charles D
出版日期Book 1982
關(guān)鍵詞American Literature; Charles Dickens; dramatist; English literature; George Bernard Shaw; George Eliot; Gr
版次1
doihttps://doi.org/10.1007/978-1-349-05177-9
isbn_softcover978-1-349-05179-3
isbn_ebook978-1-349-05177-9
copyrightPeter Davison 1982
The information of publication is updating

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發(fā)表于 2025-3-21 21:24:54 | 只看該作者
Contemporary Drama and the Popular Dramatic Tradition in England978-1-349-05177-9
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發(fā)表于 2025-3-22 01:49:43 | 只看該作者
Offending the Audience,ond act takes place in the club, between sessions of bingo, and the last act is a post-mortem. There is added tension for the prospective professional comedians (and the audience) in that a talent spotter, Bert Challenor, with whom their coach (Eddie Waters) does not see eye to eye, has come to asse
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Introduction,. This was not just a matter of hard boards instead of an inch or two of plush, or even seats without the support of four inches of uncomfortable planking along the back. After all, hard boards survived in the Old Vic gallery until well after the Second World War — they were particularly noticeable
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Ergebnisse der empirischen Untersuchung,towards the end of the second of two parts of .. A much more important difference was that of lighting (of stage and auditorium) and also significant was the degree of unruliness common in theatres up until about the middle of the nineteenth century.
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發(fā)表于 2025-3-23 06:47:56 | 只看該作者
Introduction,towards the end of the second of two parts of .. A much more important difference was that of lighting (of stage and auditorium) and also significant was the degree of unruliness common in theatres up until about the middle of the nineteenth century.
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