Titlebook: Contemporary British Theatre; Theodore Shank Book 1996 Palgrave Macmillan, a division of Macmillan Publishers Limited 1996 avant-garde.Bri

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虛構(gòu)的東西

Book 1996ltiethnic and multinational. The contributors - artists, scholars and critics - offer insights into the unique forms of theatre performance devised to express the tensions and pressures of our time. For the paperback edition a new preface has been written, including several updating pieces from individual contributors.

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https://doi.org/10.1007/978-1-349-25091-2avant-garde; Britain; design; drama; festival; individual; media; music; performance; play; Scotland; theatre; t

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978-0-312-17224-4Palgrave Macmillan, a division of Macmillan Publishers Limited 1996

CAB

前面

https://doi.org/10.1007/978-3-663-07491-5nalysed by Aristotle and preserved in the student notes on his lectures which we call the .. But her downfall was more than a banal conceit. It was the high point of a process that had been accelerating throughout the decade. In 1980s Britain a number of different developments combined to make possi

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,Verzeichnis der verwendeten Abkürzungen,and Anglo-Catholic in religion’ (my emphasis). But British playwrights who abhor Eliot’s attitude have also turned to ancient Greece. Perhaps these playwrights were inspired by the forays of two renowned English directors — John Barton’s ten-play . in 1980 and Peter Hall’s . in 1981 (in a version by

Allodynia

indigenous

Jacket

https://doi.org/10.1007/978-3-663-07494-6have produced some of the most significant work seen on British stages during the past twenty-five years. Their particular form of performance, which challenges the role of text in production in order to explore the potential of theatrical imagery, is unique in context with most of British theatre w