Titlebook: Contemporary British Queer Performance; Stephen Greer Book 2012 Palgrave Macmillan, a division of Macmillan Publishers Limited 2012 festiv

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https://doi.org/10.1007/978-3-663-07482-3n order to starve them of their strength, or imagined the possible reiteration of sexuality beyond those dominant terms (Butler, 2000, p. 177). While previous chapters have acknowledged the political ambitions of queer performance practice, it has primarily approached that work through the lens of t

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Einleitung und Aufgabenstellung,r, then, might resonate with Sedgwick’s reading of queer performance as that which ‘spins the term outward along dimensions that can’t be subsumed under gender and sexuality at all’ (Sedgwick, 1994, pp. 8–9).

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