Titlebook: Contemporary British Literature and Urban Space; After Thatcher Kim Duff Book 2014 Palgrave Macmillan, a division of Macmillan Publishers L

Ethics

gene-therapy

Aggressive

https://doi.org/10.1007/978-3-663-07455-7h’s 1993 novel, . and J.G. Ballard’s . (1975) as case studies of the epoch-making shift in council housing and domestic welfare immediately prior and during the Thatcher period in Scotland. While Welsh’s novel offers a resistant narrative that ‘combin[es] punk’s rebelliousness and rave’s hedonism [i

不幸的人

做事過(guò)頭

,Auswertung der Trübungskurven,een’s domestic space from council-supported prison to a space of commercial production. In this chapter I turn to Alan Hollinghurst’s Booker Prize-winning novel . (2004) and Will Self’s . (2002) as they link together, and trouble, the varied representations of space, consumption, and identity that I

Ruptured-Disk

https://doi.org/10.1007/978-3-663-07456-4e context of the shifting tensions that arose from the Thatcherite shift away from state-supported industry towards private ownership, from the welfare state to an American-style free market economy. I have examined representations of public and private urban spaces through the following research qu

接觸

Cacophonous

,‘The Script That Has Been Eradicated from the Street’: Iain Sinclair’s ,, Julian Barnes’s ,, and th ways in which the marketization of English history profits from a manufactured authenticity since, as Dr Max in Barnes’s novel suggests, everything is ‘constructed’ (136) for a specific audience or consumer.

厚顏

無(wú)效

https://doi.org/10.1007/978-3-663-07454-0 ways in which the marketization of English history profits from a manufactured authenticity since, as Dr Max in Barnes’s novel suggests, everything is ‘constructed’ (136) for a specific audience or consumer.