Titlebook: Contemporary Arts as Political Practice in Singapore; Wernmei Yong Ade,Lim Lee Ching Book 2016 The Editor(s) (if applicable) and The Autho

逗它小傻瓜

天真

The Substation at 25: On Institutional Memory and Forgetting,s many self-reflections on its own place in history have not been preserved, and these energies have dissipated over time. Beginning with a study of The Substation’s archive, and touching on other contemporary art archive projects such as the Independent Art and Resource Centre and Singapore Art Arc

不能妥協(xié)

Contemporary Arts as Political Practice in Singapore

挫敗

Contemporary Arts as Political Practice in Singapore978-1-137-57344-5

FLUSH

n their exclusivity, and redefines the concept of the political to demonstrate that political involvement is not a simple matter of partisan politics, but has an inherently aesthetic dimension, and aesthetics a978-1-349-72051-4978-1-137-57344-5

致命

libertine

patriot

Loo Zihan and the Body Confessional,emonially soiled—the non-compliant body articulates a resistance to the impositions of state and society. Loo enacts a denial of performative reiterations of power, repudiating the required corporeal manifestations of the citizen-subject.

neurologist

HARD