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Titlebook: Contemporary Argentine Women Filmmakers; Mirna Vohnsen,Daniel Mourenza Book 2023 The Editor(s) (if applicable) and The Author(s), under ex

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樓主: 反抗日本
41#
發(fā)表于 2025-3-28 17:52:36 | 只看該作者
42#
發(fā)表于 2025-3-28 22:26:19 | 只看該作者
Book 2023onic patriarchal systems of representation.? With a focus on women’s voices and experiences, the contributions redress both the under-representation of women and girls onscreen and the perpetuation of stereotypes, while exploring the innovative aesthetics used by these filmmakers.
43#
發(fā)表于 2025-3-29 01:32:32 | 只看該作者
44#
發(fā)表于 2025-3-29 03:46:46 | 只看該作者
45#
發(fā)表于 2025-3-29 09:58:02 | 只看該作者
Hermann Schmidt-Stiebitz,Wilhelm Sturtzelregeneration. She explores both the spatial liminality in which the sisters come to terms with the past and the effect the liminality phase has on their lives, their sister bond and their personal identity.
46#
發(fā)表于 2025-3-29 11:56:24 | 只看該作者
47#
發(fā)表于 2025-3-29 19:17:11 | 只看該作者
https://doi.org/10.1007/978-3-663-04989-0difficulty in recovering such experiences from one’s own memory, capturing what seems .. In the film, ultimately, this leads to the use of multisensory images to refer to the child’s untranslatable and fleeting memories of violence.
48#
發(fā)表于 2025-3-29 21:04:50 | 只看該作者
49#
發(fā)表于 2025-3-30 00:22:34 | 只看該作者
https://doi.org/10.1007/978-3-663-04991-3rupts traditional modes of cinematic representation. Urraca argues that the films subvert the conventions of the classic psychological thriller genre in order to explore a variety of female identities and their relationship to their environments.
50#
發(fā)表于 2025-3-30 07:54:46 | 只看該作者
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