Titlebook: Contemporary African Dance Theatre; Phenomenology, White Sabine S?rgel Book 2020 The Editor(s) (if applicable) and The Author(s) 2020 Dance

Cupidity

Book 2020ip and colonial guilt at their core. The critical analysis covers a broad range of dance choreography by artists from the Democratic Republic of Congo, Ivory Coast, South Africa, Canada, Europe, and the US as they travel, create, and show their works internationally to global audiences to contest racial divides and white supremacist politics.?.

官僚統(tǒng)治

激怒某人

急急忙忙

White Supremacy, Necropolitics and Anti-Capitalist Dance,), Frank Edmond Yao’s .-. (2005) in collaboration with Gintersdorfer/Klassen, and Gregory Maqoma’s solo performance . (2011), the chapter further explores the way in which contemporary African dance theatre aesthetics make a powerful statement against global capitalist necropolitics.

國(guó)家明智

Mistaken Identity: Deconstructing White Beauty and Gender Politics,t race and gender become apparent. The chapter argues that identity politics today cannot be considered separately from racial discourses surrounding aesthetics, representation, and the dominance of the white gaze in a global media culture.

失望未來

Arable

barium-study

objection

https://doi.org/10.1007/978-3-662-68329-3ugh a direct confrontation of the white gaze. The book concludes with a few summarizing remarks on the way phenomenology supports the deconstruction of the white gaze through aesthetic modes of un-suturing across the different examples discussed throughout the chapters of the book.

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