Titlebook: Constructing Monsters in Shakespeare‘s Drama and Early Modern Culture; Mark Thornton Burnett Book 2002 Palgrave Macmillan, a division of M

謊言

Introduction,calf’ (an ‘a(chǎn)bortive birth’ and a ‘shapeless substance produced in the uterus’) and an artichoke respectively.’ The enlisting of both human and vegetable categories works to suggest the classificatory inadequacy of each. Merlin, like Caliban, fits into no easy arrangement.

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adduction

2634-5919 agination. Burnett traces the metaphorical significance of ‘monstrous‘ forms across a range of early modern exhibition spaces - fairground displays, ‘cabinets of curiosity‘ and court entertainments - to contend that the ‘monster‘ finds its most intriguing manifestation in the investments and practic

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Book 2002 Burnett traces the metaphorical significance of ‘monstrous‘ forms across a range of early modern exhibition spaces - fairground displays, ‘cabinets of curiosity‘ and court entertainments - to contend that the ‘monster‘ finds its most intriguing manifestation in the investments and practices of cont

occurrence

Problemstellung und Zielsetzung, a contemporary fascination with those people and properties that stood outside existing taxonomies and systems of knowledge, this figure represented the most clearly defined entrance point to the ‘monstrous’ experience.

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OPINE

,Mapping ‘Monsters’, a contemporary fascination with those people and properties that stood outside existing taxonomies and systems of knowledge, this figure represented the most clearly defined entrance point to the ‘monstrous’ experience.

Dna262

,‘Monsters’ and ‘Molas’: Body Politics in ,hat equates physical appearance with behavioural traits. The non-normative shape of the ‘mola’ is directly linked to its sub-aquatic responsiveness, while the distorted frame, fiery look and scampering mobility of the ‘monster’ are read as evidence of its aural destructiveness and annihilatory tendencies.

TOXIN

Book 2002f curiosity‘ and court entertainments - to contend that the ‘monster‘ finds its most intriguing manifestation in the investments and practices of contemporary theatre. The study‘s new readings of Shakespeare, Marlowe and Jonson make a powerful case for the drama‘s contribution to debates about the ‘extraordinary body‘.