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Titlebook: Constructing Gender in Medieval Ireland; Sarah Sheehan,Ann Dooley Book 2013 Sarah Sheehan and Ann Dooley 2013 gender.Medieval Literature.w

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發(fā)表于 2025-3-21 16:14:34 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Constructing Gender in Medieval Ireland
編輯Sarah Sheehan,Ann Dooley
視頻videohttp://file.papertrans.cn/236/235980/235980.mp4
叢書名稱The New Middle Ages
圖書封面Titlebook: Constructing Gender in Medieval Ireland;  Sarah Sheehan,Ann Dooley Book 2013 Sarah Sheehan and Ann Dooley 2013 gender.Medieval Literature.w
描述Medieval Irish texts reveal distinctive and unexpected constructions of gender. Constructing Gender in Medieval Ireland illuminates these ideas through its fresh and provocative re-readings of a wide range of texts, including saga, romance, legal texts, Fenian narrative, hagiography, and ecclesiastical verse.
出版日期Book 2013
關(guān)鍵詞gender; Medieval Literature; women
版次1
doihttps://doi.org/10.1057/9781137076380
isbn_softcover978-1-349-29661-3
isbn_ebook978-1-137-07638-0Series ISSN 2945-5936 Series E-ISSN 2945-5944
issn_series 2945-5936
copyrightSarah Sheehan and Ann Dooley 2013
The information of publication is updating

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,Looking for “Mr. Right” in ,,early version to the late ninth or tenth century, noting that the language is early Middle Irish.. She assigns the later version to “the end of the twelfth century, perhaps later.”. As she notes, Version II omits some episodes and poems, and focuses more on plot and action than Version I; less chari
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,Playing for Power: Macha Mongrúad’s Sovereign Performance,figure onto the text he stands proudly beside, the Irish-language version of Patrick Pearse’s 1912 poem that opens, “Mise Eire: Sine me na an chailleach béara” [I am Ireland: I am older than the Old Woman of Beare].. Invoking the ., the “Hag” or “Old Woman” of Béara, a sovereignty figure first descr
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Speaking with Forked Tongues: Gender and Narrative in the ,,f Irish narrative, blending as it does hundreds of tales and poems inside a narrative frame of considerable sophistication.. This frame brings together the tradition of increasingly popular Fenian tales—already at this period in the process of being formed into a major narrative cycle—and the presti
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