Titlebook: Conservation of Modern Oil Paintings; Klaas Jan van den Berg,Ilaria Bonaduce,Katrien Keu Book 2019 Springer Nature Switzerland AG 2019 Con

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https://doi.org/10.1007/978-3-030-11259-2ead Manufacturers (BALM) Pty. Ltd. in 1949. This paper focuses on information contained in the notebooks detailing company testing and practical tools for managing known zinc oxide reactivity in oil-based house paints. Acceptable application and weathering properties of zinc oxide in oil paint formu

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Brandon K. Winfrey,Patrick Kangasint. During the First World War (WWI), however, the cost of linseed oil rose dramatically. In 1917, it was rationed, and it then became unavailable for commercial paint use. What were the consequences of the restricted access to linseed oil? To examine this question, articles and advertising publish

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Sara R. Rinfret,Michelle C. Pautzemains..The aim of the project “synthetic organic pigments in Talens oil paint”, to which this article refers, was to obtain information about the synthetic organic pigments used in early . oil paints. The production archive provided logbooks from the years 1922 to 1950, 174 . oil paint tubes and 10

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The Milky Way: Our Galaxy and Its Componentsction of ., the company also manufactured several lines of oil paints: ., . and . The popularity of Bocour Company products and the close relationship between the owners and many artists active in New York City in the mid-1900s suggests that Bocour oil paints would be present in artworks, but none h

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Gabriella Bernardi,Alberto Vecchiatomplete drying of the paint films had occurred. Interpretation of these issues is uniquely challenging due to the abstract compositions and limited understanding of the artist and his intent. Technical analysis is being used to characterize the materials and the changes they have undergone. This rese

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