Titlebook: Conservation and Painting Techniques of Wall Paintings on the Ancient Silk Road; Shigeo Aoki,Yoko Taniguchi,Fumiyoshi Kirino Book 2021 The

Lipoprotein

Deindividuation: Loss of Uniqueness finer plaster, a white ground was applied, either of lime or kaolin. The main identified pigments include red and yellow ochre, orpiment, red lead, green earth, and ultramarine blue. The earth pigments were locally available, including green earth, which is celadonite. Natural ultramarine blue (lap

預(yù)兆好

monogamy

Individuation: The Pursuit of Difference, the creation of the paintings is distinguished by other complex technologies, including the skilful use of earthen materials; and the sophisticated application of multiple colour layers and finishing techniques.

知道

Deindividuation: Loss of Uniqueness All the fragments have returned to Afghanistan by 2016. The Mes Aynak archaeological site is an ancient Buddhist city that prospered from the third to the seventh centuries [.]. The Tokyo National?University of the Arts restored a fragment of wall painting from the site, which was unearthed in a re

Prostaglandins

Performance as Uniqueness-Motivated Behaviorese unique samples of ancient material culture and art, but also to study the working methods of ancient artists and craftsmen, and the composition of their original materials, This will help to determine the unique features that characterize artistic development in antiquity in the territory of Uzb

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Literary Precedents for Uniquenesstions, in the course of which some new discoveries were made. Both the inorganic and organic substances in fragment samples collected from several caves dating from the fifth to the seventh century were analyzed. Morphological studies were performed by optical microscope (OM), cross-section microsco

殺死

https://doi.org/10.1007/978-1-4684-3794-2 period. The structure of the wall paintings was therefore determined by carrying out ground penetrating radar (GPR). At least two earth-based layers are present. Ultrasonic testing revealed that the wall paintings generally have good physical properties. However, ultrasonic velocities were very low

鬼魂

Current Topics in Mental Healthtones were maintained in a conservation facility. The objectives of the conservation programme were threefold: (a) to record the condition of the wall paintings; (b) to stabilize the weakened plaster; (c) to treat the problem of biodeterioration. In the case of the Kitora tumulus, the existence of w

Nebulous

https://doi.org/10.1007/978-1-4684-3794-2paintings were removed from the stone chamber and, after 12?years of conservation work, they were put on display in 2016. The paper also describes the state of damage to decorated tumuli caused by large-scale disasters such as the Great East Japan Earthquake of 2011 or the Kumamoto earthquakes of 20

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