Titlebook: Conrad‘s Eastern Vision; A Vain and Floating Agnes S. K. Yeow Book 2009 Palgrave Macmillan, a division of Macmillan Publishers Limited 200

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inculpate

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Coda,t-picking of Conrad’s little ‘inaccuracies’ of representation), to listen to Conrad’s voice. Conrad’s genius is such that he drew considerable mileage from the little that he knew. The rest, he left to his artistic imagination, for he did not subscribe to knowledge as an end in itself but rather as

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A Closer Look at Tidal Effects,s seemed to reflect a new man of letters, sporting ‘a(chǎn) different moral attitude’ and seeming able ‘to capture new reactions, new suggestions, and even new rhythms for [his] paragraphs’ (. 26). Nonetheless, he admits that the new man he imagined himself to be was a mere illusion and that ‘in common wi

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A Closer Look at Tidal Effects,, ‘[e]verything was still chaos’; however, something . ultimately ‘born from the collision of indistinct ideas’ (. 1: 151). In the ‘Author’s Note’ to ., Conrad employs the same imagery in expressing his inner turmoil:

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https://doi.org/10.1007/978-0-387-09676-6om obscurity into the light for the multitudes. In this chapter, I show that Conrad’s perception of Malay political culture and statecraft is historically informed and proves pivotal to his romantic construction of the Malay and the white rajahs of his Eastern tales. This fidelity to the facts of hi

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A Closer Look at Tidal Effects,t-picking of Conrad’s little ‘inaccuracies’ of representation), to listen to Conrad’s voice. Conrad’s genius is such that he drew considerable mileage from the little that he knew. The rest, he left to his artistic imagination, for he did not subscribe to knowledge as an end in itself but rather as

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and history that we locate Conrad‘s irony. In a direct response to the visual culture of his times, Conrad sets up his fictional world as a hallucinated mirage stressing the veracity of his own Eastern vision.978-1-349-36084-0978-0-230-58328-3